#'dream a little dream of me' is their song

[dsmp-lainey]

unfollowing and blocking the people who hurt tommyinnit and took advantage of the naive trust of huge teenage audiences isn’t enough. i need a gun.

[cherrygirlfriend]

touchy subject pairing: reader x exfiancé!rafe synopsis: seeing your ex-fiancé after four years. warnings: angst, some fluff, mentions of a miscarriage, just pure agony! wc: 1.8k inspired by the song 'touchy subject' by peach prc.

a white baby gate fixed in my hallway stays haunting the house with the angels we made; sometimes, i dream, a decade away, we meet in a grocery store; you look the same, with just a few grey hairs. the blonde little girl who tugs on your shirt with your smile looks nothing like me.

it had been four years since you had last been on kildare island; four years of trying to forget the life, or the ruined bones of one, that you'd been escaping from.

after ending your engagement with your fiancé, you'd traveled all around the country in your beat-up truck, hoping to find a place where you'd belong; only to end up back in the outer banks. they say there's no place like home, and in a way, it was true. you can leave kildare island, but kildare island will never leave you.

"everything okay?"

you're startled out of your thoughts by the melodic sound of your mother's voice, and when she follows your gaze to the baby-gate attached to the door leading to the kitchen, her mouth twists into a frown. "i was meant to take that down before you got here..." she chewed on her lower lip, a pang of guilt almost punching her in the chest.

"it's fine." you shrug, trying to lift the ends of your lips into a smile, only for it to look artificial and rehearsed. "i should start unpacking."

"alright." your mother placed her hand on your shoulder, but should've been a comforting gesture, made you feel like you were underwater and the hand was simply pushing you deeper.

you stood alone in the living room of your apartment, the only thing to be heard of was the ticking of the clock your mother had already mounted on the clock, mixed in with the sounds of passing cars, so unlike the day you first moved into the apartment, yet so much like the day you were last there.

"you should keep the apartment."

"rafe, i can't do that. it's way too much, and i'm leaving-"

"it's already in your name." the man sighed, smoothing his hand over his shaved head; he looked so different than usual, the dark bags under his eyes making him look like he had aged ten years, his usually tan face almost pale. "you can do whatever you want with it. keep it, sell it, i don't care. it's yours. i never want to step foot in this place again."

your feet were almost moving on their own, the hardwood floor cold under your feet, leading you to that door, and even though you felt your blood run cold, every cell of your body telling you not to open it, you couldn't help but nudge the door open.

you didn't know what you were expecting.

stepping into the room, you let your hand trail over the soft-pink wall, still remembering the smell of paint.

"you know, you shouldn't be doing that." he sighed, leaning against the doorway. "i can just hire someone to paint the walls."

you roll your eyes, your denim overalls covered in the soft pink paint as the paint stained the white wall, "i want to do this. i'm not gonna hire someone to do everything for me when i'm perfectly fine doing it on my own."

"you're not-"

"hush." you pointed the paint roller at rafe, "i'm doing this. now pick up a paint roller or quit whining."

you look down at the crib, lined with white lace, picking up the brown teddy bear that used to belong to you when you were a child, brushing your hand over the fur, straightening the pink bow around its neck.

hung above the crib, was a picture of a couple that had just gotten engaged, wide smiles on both of their faces; a couple that had once been so familiar to you, but now, it was like you couldn't recognize either of the people in the photos.

it felt like everyone was staring at you as they walked past you; four years clearly hadn't been long enough to make the people of outer banks forget about you, and as you made your way towards the local cafe, you couldn't help but think about how long it'd take for the person you didn't want to know you were in town to find out.

you were strolling down the street, rafe's hand in yours, your fingers intertwined. you licked the ice cream cone, deep in thought, letting rafe take the lead.

"what's going through that pretty head of yours?" he chuckled softly, bringing your hand up to his lips, pressing a kiss to the back of it, your engagement ring glimmering under the sunlight.

"baby names." you shrug, "what should we name her?"

"do you have any names in mind?"

"i was thinking..." you pursed your lips, not sure if the name you had been considering would be appropriate or not, chewing on your lower lip as you turn your head to face your fiancé, an expectant smile on his lips and his brows lifted in question, "evelyn."

when the name left your lips, you saw his mouth fall open, and for a moment you thought that you never should've spoken, but after rafe cleared his throat, there was a clear smile on his lips, his blue eyes glassy.

"you- you uh, wanna name her after my mom?"

"yeah." you smile, squeezing his hand. "i do."

for the millionth night, you were laid in bed, looking through pictures, featuring the faces of the couple above the crib in the room next door. pictures with the man's arms wrapped around the woman's waist, ones of them holding hands, ones where one was pressing a kiss the other person's cheek, ones from the several midsummers parties they spent together, ones from halloween, thanksgiving, christmas...

the girl in the dress she had planned to wear on her wedding day.

"rafe, where are you taking me?" you laughed, the blindfold covering your eyes, "if the blindfold's for some kinky purpose, you better forget about it."

rafe laughed, continuing to lead you, his large hands on your waist, "come on, have a little faith in me. i'm not that bad, am i?"

"oh, you definitely are. just last week we were an hour late to ava's party because you just thought i was irresistible."

rafe snorted, "well, that's because you were." he pressed a kiss on your cheek, "you can take it off." he whispered, taking a step away from you.

untying the blindfold, you blinked a few times, letting yourself get used to actually being able to see again, only to be startled by the sight of your boyfriend on one knee in front of you, a small velvet box in his hand, "rafe...?"

you wiped away the stray tear that had left your eye without permission before it could reach your jaw, continuing to scroll through the pictures, knowing that it'd be yet another sleepless night, but when you saw a picture of her, you paused.

you weren't sure who was more nervous, you or rafe, even though you were the one in the examination chair, your shirt pulled up and your rounded stomach on full display. his hand was tightly gripping yours, the man's jaw clenched.

"let's take a look, shall we?" the ultrasound technician smiled, and you nodded, feeling her spread the cold gel onto your stomach, a slight yelp leaving your lips, making rafe squeeze your hand even tighter. you looked to him, nodding reassuringly, speaking softly, "it's okay."

rafe's grip loosened slightly and he softened his grip, both of you turning your heads to the screen, and the moment you saw the little lump on the screen, you couldn't help but feel tears stinging in your eyes.

"look. that's our baby."

"shit..." rafe stared at the screen wide-eyed, letting out a low breath, "that's our baby."

just like on any average day on the island, the sun was shining, your skin radiating with warmth as you walked down the street, looking in through shop windows; it had been a few days since you'd first stepped outside, and it seemed like your arrival had become widespread news, and you didn't receive as many stares as you did before.

you arrived at rafe's door, bringing your hand up and pounding on the door before you could stop yourself and chicken out for the third time that week. you were a wreck, unable to sleep, to think about anything other than how much you knew you needed to talk to rafe.

you waited, tapping your foot against the ground and biting down on your lip, when finally, the door slowly started opening, a small smile forming on rafe's lips when he realized that it was you.

"hey baby," he chuckled softly, placing his hands on your waist, "you miss me so much you couldn't even text me to let you know you were coming?" he grinned.

"i have to talk to you." you pull away from his embrace, taking his hands off your waist, the blonde looking down at you with furrowed brows, crossing his arms in front of his broad chest, clearly alarmed by the slight frown on your lips.

"what's wrong?"

"i'm pregnant."

without even realizing it, you had stopped in front of a jewelry store, gazing inside at the things on display as you were going down memory lane inside your head. you let out a small chuckle, about to step back and continue walking, when your blood ran cold, the smile fading away from your face, feeling as if someone had stabbed you in the heart.

to anyone else, it would've just been the backs of two random people. but even without seeing his face, you could recognize the only man you'd ever loved no matter where you went.

his short-sleeved white collared shirt was tucked into his dark jeans, riding up slightly as he ran a hand through his hair, having grown out slightly since the last time you'd seen it, his signet ring on his middle finger.

you saw him let out a chuckle, and you could almost picture how it'd sound, his hand going to rest on the back of the person he was with.

a younger woman smiled up at him, and even just from her side profile, you could tell that she was gorgeous, her flaming hair flowing over her shoulders, the smile on her face genuine, matching his.

and when you saw what she was holding up and showing to him, the knife in your chest was twisted.

an engagement ring.

[luludeluluramblings]

dream team back. we’re currently yapping central again (per usual)

both of us are straight up in a tim drake brainrot spiral too!!! he’s a delightful little weirdo. a strange little gentleman if you will.

tim is such a funny little guy!!! he also makes a solid yandere. you can’t outsmart him. you can’t escape someone who can find everything about you. On the upside, I feel like he’d be happy to spoil his darling. also he’d be like, really considerate in weird ways??? I mean like you don’t get privacy (or you get the illusion of it maybe but not actual privacy.)

like yeah you’re always being watched in some way, but the man has committed every single one of your favorites and least favorites to memories. He knows what clothing you like, what specific features you look for in everything, and if he doesn’t, by god, will he learn. He knows your favorite song, and he knows the nickname you went by in elementary school.

Do you think he pretends to be normal and basically sets things up to send reader to be like a little love story?? You meet by chance, and he fell first. He fell a LONG time ago, so now it’s his mission to make you fall too. And Tim Drake ALWAYS finishes a mission. (Even as a baby daddy candidate). He makes himself the best option, even if he’s not the father.

Yandere!TimDrake x PastFriend!Reader x Aiden Cobblepot

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

A/N: Sooooo, I'm finally and slowly going through my ask box and you two may have sparked an idea just for Tim. I might have to do a Part Two for this. (I'm falling into the WIP trap. Help!) But, I love the thought of the Bat Family have competition when it comes to their darling. Gives them a challenge. Plus, I really wanted to use Aiden Cobblepot for this. I've been wanting to sneak him into something.

A/N: We have neglected!Sib!Reader, but what about a Neglected!Friend!Reader? Fun idea. Tim already knowing everything about you only to find you’ve changed and wants to study you all over again. Only this time he’s keeping you! (I’m very fond of Tim. I think he’s difficult to write for me, but I enjoy the little stalker so much.)

Warnings: Yandere Themes, Romantic themes, Tim can be read as kinda platonic, GN!Reader

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

You and Tim were once good friends. Well, he was your best friend. To him you were just a good one. High school buddies that would hang out all the time. At school only. And sometimes the rare gala you saw him at. It was rare you ever actually went to The Manor. You never asked to go. But, you had hoped to be invite.

Just like you had hoped that he might reciprocate that pesky crush you had on him back then. You had felt like it was so painfully obvious. Though it wasn't as painful when you finally figured out he was Red Robin and you waited and waited for him to tell you his secret identity. And, then you would tell him you already figured it out and you would look so cool.

Only, he never did. You both grew distant. You had put so much carful effort into keeping that distance from growing. Inviting him to hang out more. Asking him out for casual coffee. He always said the same thing.

"Oh, damn. I could really go for that right now. But, I'm just sorta busy. Next time though. For sure."

Over and over. He sounded like a broken character. Repeating the same phrase. One that you would hang around after the game was over to reminisce about all the fun adventures you both once had. However this was life not a game. You couldn't just restart and rerun the same adventures.

It made you ache when you finally moved on. When you finally pulled away. Because, Tim didn't even notice you were gone. His life to change. He didn't have to restart anything. You had lost your best friend and he didn't even care. It stung. It stung more than you realizing he'd never reciprocate your feelings.

But, like all things, time moves on and so do you. Leaving the past behind and starting a new game. One that you start to flourish in. Making new friends. Meeting new people. Building closer bonds and more healthy friendships. It had been interesting to realize how dependent you had been on Tim once upon a time. And, embarrassing. You can't help looking back on it with a wince. You almost want to reach out and apologize. But, that would be weird and you both live completely separate lives now. You hardly ever see him at galas now. Mostly because you don't go anymore.

Things, do change. You never expected your new partner would draw Tim's attention back to you. And, in such a terrible way.

You had a rough idea of what you were getting into when Aiden Cobblepot had asked you out to dinner. You figured he was only interested in you for your money or your half-decent looks or your family name and position. You had heard all the rumors about him, but still you went. Mostly, because you knew how dangerous he and his family were. And, you were… presently surprised.

He was a bit of an entitled asshole. But, he wasn't scared of getting dirty. You watched him lead you through the puddles of rain water and Gotham grim in the posh restaurant. He held more concern for you're clothing getting dirty than his, which were more expensive than yours. He paid for the date without flinching at the price. Encouraged you to try his own food from his plate. Talked about fond memories of the things he and his sister got up to as children while asking you about your own childhood.

Admittedly, you were easily seduced because after that the two of you became an item. You didn't even realize how official you were until he introduced you to his sister, Addison, and she was actually nice to you. Extremely nice. She did, however, threaten to kill you if you betrayed Aiden in any way, which was honestly fair enough.

Aiden and you were a bit on the opposite side of things, taste wise and morally wise. But, you both made it work. He continued his life of crime, but made no mention of it around you to keep you legally clean. You shared most of your life with him, letting him have a slight glimmer into normalcy. He liked to take you on fancy dates and show you a good time. You were happy to pull him inside just to spend personal time with each other. Of course, you both made compromises. Aiden had a taste for luxury, and you didn't mind indulging in it. Especially after you beat his ass multiple times in Mario cart. It was only fair you let him take you to a gala some point.

Little did you know that that was how Tim would come clawing and digging his way back into your life.

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

For Tim seeing you again was like finding an old precious treasure. His life had gotten so difficult and complicate lately that just a reminded of all those old times was nice.

However, seeing you on the arms of the Penguin's son was a brutal wake up call. What were you doing? Had you hit your head? Was he blackmailing you? Drugging you? Everyone in Gotham could recognize the name Cobblepot and how dangerous they are. And, he remembers how smart you were so you couldn't have willing chose to be there. It's not logical.

For your safety, he reintroduces himself to you. Long time, no see. We should hang out some time and catch up. Only he means it. He can't let this happen. He can't let you fall in with a man like that. You're his friend. He'll win you over for your own sake. Ruin Cobblepot while he's at it because how dare he use you.

Even if you changed. Even if you don't smell the same. If your hair is different. If you dress different. Even if your very laugh had changed pitch, he knows you. And, if anything, he can just re-learn you all over again. It won't take long. He's done it all before. This time he'll savor though. This time he won't let you go as he pulls you back in. You were a good friend, this time he'll make you more.

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

A/N: I’m starting to type up Part Three of Pregant!Reader, but I ended up coming up with another start to it with more drama that would be strictly for the BatBoys. The messed up drama in it sounds fun and challenging, but I won’t do it until I finish what I started with the blurbs I have planned included.

A/N: Smalltown!Meta!Reader Part Nine is going to take a while. I have big plans for it, but Pregnant!Reader is kinda outshining it.

A/N: I will post about the LoungeSinger!Reader and another idea I came up with that y’all might like that I’ll add to the concept list.

A/N: There’s a Tony Part Two coming, but it’s only halfway typed and still not that yandere-y. Need to fix that.

A/N: My asks box is full, so I’m gonna try to empty it, but I host Thanksgiving in my family and I’m also a Christmas nut, so I’m gonna be busy. (I have four Christmas trees in my house currently… But I’m not as bad as my in-laws! They had their trees up BEFORE Halloween.)

[sapphic-kpop-fics]

i miss you (Park Jihyo x Reader)

Angst with happy ending , smut

Was going to post this yesterday but I got sick again (or well I got worse after I felt better) but here we are! That being said I wrote this in a sick ish blur so if it’s not good I’m so sorry it was a fever dream writing it.

Your girlfriend Jihyo wasn’t always distant, even with her busy schedule of performances and recordings she still found a way to make time for you, more time than she had probably but then her solo debut came around and that changed.

Missed texts, calls, dinners, pretty much everything was met with a “I’m sorry baby, practice is running late”. She left the house before you woke up, and got home after you were in bed most days, though she was attentive and caring the few times you see each other, constant affection as usual.

Tonight was no different than the last how ever many, it was seven in the evening and you had cooked dinner for the two of you as she had promised she would be home in time and she was so stressed, it’s the least you can do for the love of your life.

Of course you trusted her words when she said she’d be on time, even if that was the naive thing to do, but now she was an hour late than she agreed to and you were sat on your couch drinking the wine that was meant for dinner. Then you get a phone call.

*Incoming call*

Hyo❤️‍🔥

You sit up fast, placing your wine glass on the coffee table before answering.

“Hyo, is everything okay?” You answer, “where are you?”

“Hey baby.” She starts, you can tell it’s not good news from her tone, the way she putting fake happiness in her voice.

“You’re not coming, are you?”, Disappointments laced every one of your words.

“I’m sorry love, they want to extend rehearsal for a couple hours.” You can hear the guilt seeping into her apology, “I have to stay since it’s you know my song, so I’ll have to miss dinner and I’ll be back late.”

You let out an amused huff, figures, how could you think tonight was any different than usual.

“Right.” You pause, looking at the made dinner on the table that is now cold and her wine glass that is still full, a couple candles scattered around, flowers sitting in the center waiting to be gifted to Jihyo,tears welling up in your eyes.

“I’m really sor-“

“It’s fine. Really.” Your voice breaks slightly, almost unnoticeable except for the fact that Jihyo knows every little thing about you especially when you’re not okay.

“You don’t sound fine.”

“Jihyo it’s okay, I’ll see you later.”

She knew it wasn’t okay, from your shaky voice to the fact that you called her “Jihyo” instead of “Hyo” or some other sweet pet name but she decided not to push while in front her band members.

“Okay, I love you-“

Jihyo can barely get the words out before you hang up, teary eyed glancing once again at the set dinner table with full plates, the sink with dishes from your couple hours of cooking.

Deciding to leave everything where it is, you head back to the couch and pick the wine glass up once again, sitting there until your girlfriend got home which was about three hours later.

You hear the door unlock and close, her keys being thrown onto the table by the door, and her heavy bag hitting the floor before she walks into the living room you’re in. She finds you sitting, watching some movie or more so dissociating while staring at the screen, empty wine glass in hand with the bottle on the table not empty but close to it.

“Baby..” she says, it’s quiet like she’s scared.

You don’t answer you just look at her, eyes watery and red from crying, tears stained your shirt.

“I’m so sorry I’m late.”

No answer again.

“Let me make it up to you.”

The only noise you make is a little chuckle, a familiar promise of her making it up to you that she has been making for weeks but never followed through.

“Did you eat?” She asks, quieter than before if possible.

“Does it look like I did?” You bitterly ask while waving your hand at the dinner table in the other room.

Jihyo’s eyes follow your hand, seeing the full untouched plates with a full wine glass, then she see the flowers and candles which causes her eyes to fill with guilty tears.

“Oh..” it comes out as a choked whisper, “I’m so sorry.” She finally walks over to you, getting on her knees in front of you and placing her hands on your knees, “I really wanted to be here, but rehearsal-“

She can’t finish her sentence before you’re pushing her hands off of you and standing up to go into the dining room.

“Can you stop making excuses Jihyo?” It comes out louder than expected, as you speak you start picking up the plates to throw the food away but she puts a hand on your wrist before you can get to the trash can.

“Don’t throw it out.”

“Really? You’re going to eat the dinner I made 5 hours ago? now?”

“Maybe, if it makes you feel better.” Jihyo can feel herself getting irritated after the long day of rehearsal, she knows she shouldn’t be seeing as she’s the one hurting you.

“I don’t think it will.” Before you throw the plates in the trash, admittedly harder than necessary, the both of them shattering when they land.

“Hey! can we just talk? Instead of throwing things” she says exasperated at the new angry behavior of yours.

“Jihyo, I’ve been wanting to talk. For weeks. And you were nowhere to be found.”

“I’ve been here every night.”

“Yeah when I’m already asleep. And then you leave before I even wake up. When should I talk to you during those times? Huh?”

“Baby you know how my job is, the schedules-“

“Yeah i do. And I know i agreed to dealing with it but… I feel like I don’t even know you anymore.”

“You do know me, I’m the same person as I’ve always been.”

“No, Jihyo, you’re not.” A pause. “When’s the last time we went on a date?” Tears filled your eyes again.

“I-I don’t know, a week ago?” She stuttered, taken aback by the sudden questioning.

“3. 3 weeks ago. When’s the last time you ate a dinner I made you while it was still hot?”

“I- I don’t know.” She looks at the ground in shame.

“Exactly.” You try walking to the door.

“W-“

“No. I don’t want to hear your excuses anymore.” Turning back to face her.

“Please, baby. Let’s talk about this.” She goes to grab your hands which you quickly pull away as you walk in the other direction, leaning against the kitchen counter.

“Go ahead. You have 5 minutes.”

“Wh- are you serious? 5 minutes?“ The shock leaves her face as she sees the serious look on your face, “I know I’ve been distant, and truly I am so sorry. I know my job isn’t an excuse but you have to understand I can’t exactly say no to staying longer or canceling schedules.”

“That’s not ev- the problem is that when you don’t have a schedule you’re nowhere to be found.”

“Because I’m tired, y/n. It’s exhausting sometimes to do what I do.”

“Too tired for me?”

“That’s not what i meant.”

There’s silence as you look as her, contemplating your next words.

“Maybe we should break up.”

“Wh- what? N-no.” Panic fills Jihyo as you speak, nausea taking over her body.

“Hyo, I don’t know if I can do this anymore, barely seeing you when you have a comeback and when you don’t, you’re on tour.”

“But-“

“You’re losing me Jihyo. You being gone all the time, it hurts. I just want you to be around more but you can’t do that.”

“I’ll do better. I’ll make them cancel some rehearsal days, bring you on tour with me, anything. I mean I’ll even take a hiatus.”

“You’d do that?”

“If it meant keeping you.” She was genuine, in all the years you’d known her you had grown to distinguish when she wasn’t being truthful, “Please, give me another chance.” She grabs your hands, this time slowly but you don’t pull away this time which ignites a hope in Jihyo.

“Fine. Maybe not a hiatus but-“

She cuts you off with a kiss, hands going to your face, it was soft and sweet, her love being translated through it.

“I love you.” Her eyes staring into yours, hands still on your cheeks, “I’ll do better. As a matter of fact, I’m going take tomorrow off.”

“Can you even do that?” You ask shocked, but a smile returns to your face.

“I mean, I am the idol, what are they gonna do without me? And they can’t fire me, I’m too valuable.”

You push her away playfully at the last part but she’s quick to grab your hands and pull you into her.

“How can i make it up to you?”

“Well, in general a lot, but just tonight? You can start by doing the dishes and then maybe joining me in the bedroom?” Your eyes are mischievous and suggestive as you look at her.

“Can’t we just skip to the bedroom part?” She pouts as she looks at the dishes in the sink and on the stove from the day.

“If you don’t do them, there will be no bedroom part.” You answer as she push her off you and towards the sink.

“Come onnnn”

You keep walking as she pouts heading to your shared room, deciding on skin care and changing to waste the time.

As you’re standing in front of your dresser, only wearing a pair of sweatpants, a voice from behind you appears.

“I think putting on clothes is kinda pointless.” Jihyo rasps out, as you meet her eyes in the mirror on your dresser they’re dark with blown pupils and staring directly at your bare chest.

“I have eyes you know.” At which she shifts her gaze up to make eye contact, a playful smirk on her face. But you do slide your sweatpants off onto the floor causing your girlfriend to smile.

“And I love those too.” She says walking behind you to wrap her arms around your waist, head on your shoulder with her mouth next to your ear, “but.. I’ve just missed touching you so much.” You feel her lips press into your neck and leaving a few marks as her hands glide up to squeeze your chest, fingers pinching your nipples, lips moving down to your shoulder before making eye contact with you, “Why don’t you go lay down for me pretty girl?” A soft dominance wafting off of her, you of course follow her orders immediately laying on the bed and spreading your legs slightly to show the growing wet spot on your underwear. Jihyo just stands at the end of the bed, staring at you with her lower lip between her teeth, eyes slowly moving from your face down your body almost lost in the sight of you, a minute passes before you speak.

“…Hyo?”

“Hm.”

“Are you going to stop staring and join me or?”

A blush spreads across her face before a smirk takes over.

“Sorry for admiring my absolutely gorgeous girlfriend.” She teases as she finally gets on the bed and climbs up to hover over you, hers eyes shining with love and once again staring you down as she studied your face for the millionth time in your relationship. You try interrupting her stares by leaning in to kiss her but she playfully pulls away, “I’m not done looking.” A hand goes to rest on your cheek.

“Hyo, I love you so much, but if you don’t touch me after today then I’m making you sleep outside.”

“Going to kick me out of my own house that I pay for?” She smiles but that goes away when she sees the quirk of your eyebrow that tells her you’re dead serious, causing her to capture your lips in a passionate kiss her tongue swiping at your lips begging to be let in which you part your lips letting her tangle her tongue with yours before pulling away and biting your bottom lip bring it with her before letting it go saliva still connecting you and looking at you, eyes darker than before.

She moves her lips to your jaw leaving light kisses, moving to your neck where she starts leaving marks. One hand squeezing your thigh, the other sliding from your hip to your chest.

“Hyo.” You whimper out.

“I know baby, let me take care of you.”

The kisses and marks move down to your collarbones and chest, she wraps her lips around your nipple while her hand attended the other one. After your chest is littered in purple marks and little bites her hand goes to your underwear feeling the wetness and rubbing you through the fabric making you gasp and rut up into her.

“So needy. You’re so wet baby, miss me that bad?”

“Please.”

Her kissing continues down your stomach until she reaches the waistband of your underwear, pulling them down slowly making sure to leave a feathery kiss on every inch of new skin that showed, worshiping your body with her loving kisses. Reaching your knees she finally pulls your underwear all the way down and throws them to the floor, returning to her original place her face hovering over yours and you can feel the light touch of her lips on yours as she speaks again.

“I’m going to use my fingers first so I can see how much you missed me, okay?”

“Whatever you want.”

Her hand that rested on your thigh moved to your center, rubbing small circles at first. Small whimpers come out of your mouth as you close your eyes, truthfully you hadn’t really had sex that wasn’t a quickie in a green room for a performance in weeks so even her light touch had you close to finishing.

“Wait.” You say which causes her to stop and worry, “You know, you’re fully clothed…”

“Uh huh..” she says a smile on her lips, her fingers going back to making small circles on your clit now that she knows you’re not uncomfortable.

“And I am not. I don’t think that’s fair.” You can barely talk as she moves her fingers, but you get out the words even if they’re shaky. You didn’t want to tell her the real reason you wanted her clothes off is because you loved the sight of your nail marks and scratches on her back the next morning, you would trace them with your fingers as she laid down or in the shower.

Jihyo makes a show of sitting up on her heels and pulling her baggy shirt over her head, too slowly you think, her abs showing from her countless hours of rehearsals and her earlier workout. Then she unclips her bra and takes it off just as slowly, she leaves her sweatpants on though as she settles herself back, two fingers immediately going back to where they were but soon slid down to enter you agonizingly slow and were unmoving when fully inside, her thumb working circles on your clit.

“Don’t tease” Your voice is breathless and almost a whimper as you look at her heavy lidded eyes, “please.”

“Anything you want baby.” Her fingers move inside you as she speaks, the pace going from 0-100 almost instantly, after all she did promise to make up for her behavior so who was she to deny you, your playful threat of leaving her in the driveway for the night for not listening to you still present in her mind.

“Fuck.”

“Feel good pretty girl?” Her lips brush on your ear, and her warm breath causes shivers down your spine.

“So good.” It’s more of a whine than actual words.

The feeling of her fingers inside of you is dizzying, vision a bit blurred, all of your thoughts consumed by her.

“You’re doing so good. Taking my fingers so well.”

The words alone makes you tighten around her, wetness dripping onto the sheet below. You thought you were already close but then she angles her fingers up just right and it feels like you’re on fire, you hands grip her back nails digging into her skin dragging down to her waist where you pull her closer to you if possible.

“I’m so close.”

“Let go baby. You deserve it.” She whispers before kissing you but pulls away as you reach your orgasm, she just can’t miss the noises you make for her.

Your vision is white as you reach your peak, back arching off the bed and into your girlfriend’s chest, nails digging into her skin again as you moan loud enough for the whole world to hear. Jihyo’s fingers don’t stop moving inside you until you whine and put your hand on her wrist. You don’t realize you’re holding your breath until she speaks again.

“Breathe baby.” A light chuckle falling from her lips while she strokes your cheek with her thumb, “are you okay?”

“More than okay.”

“Does that mean you forgive me?”

“Actually I think you might have to do a redo on that apology.”

“Oh yeah?” Jihyo’s eyes shined as she looked down at you

“Mm.”

“I think I can do that.” Before she retreats underneath the blanket with her head between your thighs.

She ended up apologizing about 3 more times that night before you were satisfied, but Jihyo didn’t mind as long as she had her girl.

[euphorix-moon]

A Little Dream of Me

Vi x Reader

Short Drabble of Vi thinking of you to help her fall asleep...

The sound of the city's chaos was far away but always present in the back of Vi's mind as she sat by herself in the dark light of her makeshift room. Her body was worn out from the struggles of the day, yet she was woken by a restlessness.

In an attempt to get rid of the thoughts that were constantly racing through her mind, she tightened the thin blanket around her shoulders. She thought about you, the only person who had been able to get beyond her tough shell. You had become someone she thought she could trust, someone who saw past the fire and the fists in a world when trust was scarce. She wondered whether you ever gave her any thought when you were alone, like she thought about you late at night.

She mumbled to herself, "Dream a little dream of me," the lyrics of a song she had heard quietly in her head. Vi closed her eyes and entered a fantasy, a dream in which the world's sounds vanished and it was just the two of you.

She pictured you walking next to her, your laughter echoing in the air, a soft counterpoint to Piltover's brutality. Her heart skipped a beat when you gazed at her with compassion and affection. In this dream, there was only the comfort of your presence—no fighting or mayhem. Vi grinned quietly as she slept, the thought of you giving her a sense of calm that she hadn't had in a long time and, Although it wasn't much, it was sufficient for the moment. All she wanted was for you to be in her world, as you were in her dreams, when daylight finally arrived.

A/n: I just made this cause Vi really just needs to some gentle life in her life, hope you enjoyed

[chithereader]

you and me / aaron hotchner

word count: 1.9k

pairing: aaron hotchner x singer!reader , aaron hotchner x f!reader

genre: fluff, a little angst

cw: a lot of conversation, i went a little crazy i just love interviews like zane lowe’s!!! and soft aaron

a/n: this photo just makes me think of aaron waiting backstage for popstar!reader / singer!reader

and requests are open!! would love to know what you guys want to read ◡̈

You requested that the set-up of the interview be comfortable. You knew you’d be talking about your albums which are notoriously packed with stories and emotions, personal and imagined. Now what is more comfortable than your own home? 

When you were designing your home, you knew from the start you wanted a conversation pit. You’ve always dreamed of a house that screamed cozy and comfortable, warm and inviting. Even if it cost millions to make, you had no regrets. 

But aside from the occasional family dinners, your sunken living room was only ever used when Aaron and Jack sleep over, and you had a movie marathon night. You'd throw in duvets and pillows on the pit and bunch together whether it was cold or not.

So you thought this interview is perfect to justify your design choice. To use the conversation pit for actual conversation. Which brings you to now, sat across your good friend and favorite interviewer Zane Lowe, your previous and latest album being the topic of conversation. 

“Your previous album was– you know, I mean, it was–” Zane appears to struggle for a word to encapsulate one of the lowest points in your life. Fractured was definitely an emotional album to make and an even sadder one to listen to.  

“Depressing?” you jokingly say. Talking has always been so easy with Zane. He just has this air to him that lets you know he truly just wants to know you. You sit on the couch sideways, facing Zane. Leaning on the back rest with your elbow, head resting on your hand while your other hand fidgets with the tassels on the pillow. 

He laughs, “Well, you were definitely at a low point in your life romantically.” fiddling with his chin, thinking of his next words, “You just– I think you perfectly captured in your songs that sort of loss and tangible grief that comes with letting go of a person- not because there weren’t any love anymore but more because love just wasn’t enough to keep it going.” 

Remembering what had happened– the air felt thinner. Like it was getting harder to breathe. You had to remember that that point of your life was over. You felt such real pain that time, so much so that you struggled to function in your daily life. That void. That ringing emptiness. 

You’re brought back to reality by Zane’s voice, “Could you touch on how that came about?” 

You breathe out a small sigh and with a gentle smile you recall, “Yeah, uhm.. I was in this relationship.. which in hindsight, I’m so lucky to have been in. It taught me so much and truly made me so much more mindful I guess. I mean like, smarter? More conscious definitely of what goes into making a relationship work, and what makes it strong.” 

“But like you said, it ended because as much as we both wanted it to work, as much as we loved each other, it just wasn’t happening. And it was a vicious cycle that was tiring us out. We just knew it wasn’t supposed to be like that.” You pause for a bit, reflecting. 

Flashes of you and Aaron driving home in silence after a dinner at Rossi’s play in your head. You didn’t talk the whole night. Not when you were dressing up. Not in the car ride on the way there. Not when you sat down together. And definitely not when each of you were across the room, busy in separate conversations ignoring the glaringly obvious. 

Looking down at the decorative pillow in your lap, you start, “And I think that in my experience, that’s a lot more painful. I think that break-ups that happen when one hurts the other is somehow better because you get to hold on to I deserve better or like– there’s just thing like anger that drives you to move on.”

You’re taken back to that night. Coming home and feeling the weight of it fall on both your shoulders. You sat for hours in silence, holding each other. Knowing that when the sun rises, he’ll go to work, you’ll go on tour, and your little world will be put to rest. 

“But having that overflowing love for a person who is just not meant for you– I mean how do you tell yourself to let go? How can you even try to convince yourself ? Because people say so often that as long as you love someone there’s nothing you wouldn’t do for them and that’s true. I’ve been there, and even everything wasn’t enough. And that was something we really struggled with.” 

“Just admitting that we had to love each other from afar before we turned into strangers together.” 

It just didn’t make sense. The love you had for each other was real. It was deep and true, and neither of you had any doubt of what you meant to each other. There was no question of loyalty or trust. 

But the traveling, the conflict in schedules, the missed calls and messages left on read. You just became both so busy, you were worlds apart. It even reached the point that you haven’t talked for days and neither of you noticed. Or minded. You thought of each other, yeah. But there wasn’t that urge to reach out anymore. There was just… longing. 

–

“Which brings us to now. Your latest album Leftover Love– it’s a lot more hopeful isn’t it? I mean I’d even go as far as saying that it’s about falling in love all over again.” Zane sips on the tea you made him. Leaning over the makeshift coffee table to add more milk in there. 

You straighten a little. Mood instantly lifting at the mention of your favorite album to date. Images of the inspiration behind the album filling your head. 

Zane puts down his tea to gesture generously, “And hearing it live, you could just feel it in the crowd– this kind of electricity. And because there’s no other way to put it– your songs in this album feel a lot like jumping and dancing with a partner in a room full of people and everything is just in slow motion. It’s like this sort of alignment or clicking into place, finding that one person that makes those small moments feel so.. big.” 

He put it perfectly into words. You had really hoped to relay through your songs the recent turn of events in your life. People who have supported you and loved you when you were at low points in your life got you through that, and you felt so strongly that they deserved to know and feel even a fraction of the happiness that you’re feeling right now through your new songs. 

“Definitely, I mean I’m so proud to say that these songs, even if they’re a touch fictional or exaggerated or romanticized– they are based on truths, on real things that have happened or are happening in my life.” You’re getting excited. Pulling the sleeves of your sweater to cover your hands until only your fingertips are visible– you place both hands down on the pillow as if bracing yourself for the climax of a rollercoaster ride. 

“The song Blindly for example, it’s about that feeling or like moment of realization that you’re just so crazy in love you’d follow this person anywhere blindly. I love that the sound’s so grunge-y and messy– insane. Because that’s literally how it feels to be in that whirlwind.” 

Zane picks up on your excitement, nodding at your explanation. He relaxes more into his seat and gestures to you, “It’s a good thing you mentioned that because I actually wanted to ask you why that song slows down at the end. I think that was such a unique and beautiful thing to do to the song and it works so well. But I just want to know what made you do that–” You’re biting your lip smiling, so proud that it was recognized as a conscious choice as a musician and artist.

Zane continues, “It goes from crazy drums and guitar, and the bass– then slows down into this almost hypnotic music box sound that transitions by the end into just this beat like a pulse.” 

Your smile grows bigger which Zane mirrors, “I’m so happy you picked up on that. I have to say that’s actually one of the songs I’m most proud of because it’s one of the first songs that I was heavily involved in the engineering of the sound.”

“But yeah I guess ultimately I just wanted it to mimic that transition from being in crazy love, tornado-esque to it literally settling into this beautifully calm and serene kind of love.” 

Zane listens intently, nodding and humming in agreement and knowing. Finally understanding the point of view from which the sound was created. He has this gentle smile on his face, almost of encouragement knowing you had more to say, 

“Like you go from all these dates and the honeymoon phase, and your heart’s just beating crazy fast all the time and then it turns into that steady murmur of your fridge in the null of the night when you’re baking muffins together in silence.”

You take a deep breath, chewing on the inside of your lip. Hopelessly trying to minimize the smile fighting its way on your face, “It’s just that process of someone becoming your home.” 

-

You're ushering out the last of the production people. Walking alongside Zane who’s the last to step out your front door, you give him a big hug which he returns warmly. 

“I’m so happy you’re happy,” he murmurs into your ear. 

You bury your face into his shoulder and breathe out a laugh, “Thank you.. Really.” 

You separate and smile at each other. Waving goodbye as he walks backwards to his car. You stand by your front door until they pull out of your driveway.

Once you see that your driveway is empty, you turn to your door and see him leaning against the doorframe with a smug, knowing smirk. 

Rolling your eyes playfully as you pass by him into your home, he chuckles. You hear his footsteps behind you and you know he’s following you around while you tidy up the dishes you and Zane used, “Aaron, take out the trash please.” 

This man just listened to you talk about him for hours. With headphones and a monitor set up in the other room– Aaron just got his ego inflated to a size so immeasurable he can’t hide his smile from the strangers beside him controlling lights and volumes. He has got to be humbled.

“Oh so I’m back to Aaron now?” He catches up to you, halting your movements from behind as he takes hold of your arms so you can put down whatever was in them. Then he turns you around by your shoulders so you’re facing him, grinning that smile that makes you go Fuck and then blank in your head.

“And here I was thinking I was home.” Aaron pulls you close, sliding an arm around your waist only to settle on your back as the other holds your hand against his chest, in between you. He starts swaying you both slowly as he buries his nose into the side of your head, humming a familiar tune. 

Kiss me once, then kiss me twice

Then kiss me once again

It's been a long, long time

Haven't felt like this, my dear

Since I can't remember when

It's been a long, long time

You'll never know how many dreams

I've dreamed about you

While he was listening to you go on about how you loved him all throughout your rocky start and even more well into the present– he became overwhelmed with the realization that for once in his life, there was absolutely no doubt in his mind that he is loved. Truly, deeply, and steadily loved. And that filled him with something that nothing and no one could ever define or measure. 

[lovelygirlwithablog]

୨ ⎯ headcanons . nicolas alexander chavez x f!reader

a/n: i started watching monsters and MAN, i get the HYPE. here is some cute and a little spicy headcanons for y'all!!!

━ spontaneous AF

Nic would totally be the guy to text you like, “Get ready, I’m picking you up in 20,” and then take you on some random adventure, like stargazing or getting ice cream at midnight. Literally boyfriend goals.

━ biggest hype man

He’s always like, “Babe, you’re AMAZING,” even when you’re just, like, doing homework or surviving Monday. He’d make you feel like a literal queen 24/7.

━ obsessed with your music taste

He’d always ask for song recs and then add them to a playlist called, like, Songs That Remind Me of Her (AND HE’D ACTUALLY LISTEN TO IT).

━ puppy love vibes

He’d 100% suggest adopting a dog together because “it’d be so cute, just like us,” and then post pics of you two with the dog, captioned, “My girls 🫶🏻.” Like, STOP.

━ always touchy

Nic would hold your hand everywhere. Like, even if you’re just walking around Target, he’d be holding it or wrapping an arm around you. People would literally gag at how cute you are.

━ so funny it hurts

He’d do dumb stuff like mimic your laugh or make up random nicknames for you, just to see you crack up. His goal in life is literally to make you laugh until you cry.

━ old school sweetheart

He’s SO that guy who shows up at your house with flowers “just because” or plans a cute dinner date with candles, even if it’s just takeout. ROMANCE IS ALIVE.

━ late night calls

He’d call you at like 11 PM and be like, “So what’s on your mind?” And then suddenly it’s 2 AM, and you’re talking about your childhood dreams or your favorite foods. LIKE WHO DOES THAT? Nic does.

━ intense eye contact

He’d have this thing where he just stares at you with those gorgeous eyes, like you’re the only person in the room. And you’d be like, “What?” and he’d smirk and go, “Nothing, you’re just distracting.” HELP.

━ that smirk game

He totally knows what he’s doing when he hits you with that crooked smile. Like, you’d be arguing over something dumb, and he’d smirk mid-sentence, making you forget what you were even mad about. It’s unfair, honestly.

━ hand placement expert

Whether it’s his hand on the small of your back when you’re walking, or casually brushing his fingers against yours before holding your hand, he’s SO smooth about it. Like, boy, do you know what you’re doing? (He does.)

━ jealous but chill

He’s not like, possessive, but if another guy’s flirting with you, he’ll slide up next to you, wrap an arm around your waist, and be like, “Hey babe, ready to go?” in this low, confident voice. Dead.

━ his hoodie

He’d totally give you his hoodie when you’re cold, but low-key, he thinks you look hotter in it than he does. And then he’d be like, “You’re keeping that, right? It looks better on you anyway.” STOP.

━ the way he kisses

Nic is a pull-you-in-by-the-waist-and-make-you-forget-your-name kind of kisser. Like, soft at first, but then when he gets serious? UGH. You’re blushing just thinking about it.

━ voice drop

He’d get all close to your ear to whisper something—like a joke, or even just “You’re so pretty”—and his voice would drop like 10 octaves. You’d be SHIVERING.

━ protective but subtle

He’d walk on the side of the street closest to traffic without saying a word or instinctively pull you closer in a crowded room. He wouldn’t make a big deal about it, but inside you’d be like, “I’m marrying this man.”

━ that lowkey dominance

He’d be the guy to put his arm around your chair at dinner or rest his hand on your thigh while driving. It’s not showy, just this quiet confidence that makes you melt.

━ post workout look

When he shows up all sweaty from the gym with his hair messed up and his shirt clinging to him just right? You’re DONE. And he knows it, too, because he’ll smirk and say, “What? See something you like?”

[tavolgisvist]

Paul about the breakup of The Beatles in The Lyrics, 2021

The four of us just knew how to fall in with each other and play, and that was our real strength. That made it all the more sorrowful to think that our breaking up was almost inevitable. So there’s a wistful aspect to ‘Get Back’. The idea that you should get back to your roots, that The Beatles should get back to how we were in Liverpool. And the roots are embodied in the style of the song, which is straight-up rock and roll. Because that was definitely what I thought we should do when we broke up – that we should ‘get back to where we once belonged’ and become a little band again. We should just play and do the occasional little gig. The others laughed at that – quite understandably – because by then it was not really a practical solution. John had just met Yoko, and he clearly needed to escape to a new place, whereas I was saying we should escape to an old place. Reviving the old Beatles just wasn’t on the cards. It was too late to be recommending that we not forget who we were and where we once were from. If my dream at the time really was to get back to where we once belonged, John’s dream was to go beyond where we once belonged, to go somewhere we didn’t yet belong. I’ve already mentioned how in September 1969 we were in a meeting and talking about future plans, and John said, ‘Well, I’m not doing it. I’m leaving. Bye.’ In the ensuing moments, he was giggling and saying how this felt really thrilling, like telling someone you’re going to divorce them and then laughing. At the time, obviously, that was wildly hurtful. Talk about a knockout blow. You’re lying on the canvas, and he’s giggling and telling you how good it feels to have just knocked you out. It took a while, but I suppose I eventually got with the programme. This was my best mate from my youth, the collaborator with whom I’d done some of the best work of the twentieth century (he said, modestly). If he fell in love with this woman, what did that have to do with me? Not only did I have to let him do it, but I had to admire him for doing it. That was the position I eventually reached. There was nothing else I could do but be cool with it.

(Paul McCartney about Get Back (1969), The Lyrics, 2021)

That was coupled with the business problems at Apple Records, which really were horrible. The business meetings were just soul-destroying. We’d sit around in an office, and it was a place you just didn’t want to be, with people you didn’t want to be with. There’s a great picture that Linda took of Allen Klein, in which he’s got a hammer like Maxwell’s silver hammer. It’s very symbolic. And that’s why we have the little nod and a wink in the middle section to ‘You Never Give Me Your Money’, in the lines ‘I never give you my pillow / I only send you my invitations’. That whole period weighed on me to such an extent that I even began to think it was all tied in with the idea of original sin. Even though my mum had christened me as a Catholic, we weren’t brought up Catholic, so I didn’t buy into the concept of original sin on a day-to-day basis. It’s really very depressing to think that you were born a loser.

(Paul McCartney about Carry That Weight (1969), The Lyrics, 2021)

The Beatles stuff all got too heavy, and 'heavy' at that time had a very particular meaning for me. It meant more than oppressive. It meant having to go into meetings and sit in the boardroom with all the other Beatles and with the accountants and with this guy Allen Klein. He was a New York spiv who had come over to London and talked to The Rolling Stones and persuaded them he was the man for them. Prior to that, he had persuaded Sam Cooke he was the man for him. I smelled a rat but the other chaps didn’t, so we had a fight over it and I got voted down. I was trying to be Mr Rational and Mr Sensible, and it all went haywire. It was early 1969, and The Beatles were already beginning to break up. John had said he was leaving, and Allen Klein told us not to tell anyone, as he was in the middle of doing deals with Capitol Records. So, for a few months we had to keep mum. We were living a lie, knowing that John had left the group. Allen Klein and Dick James, who sold our publishing in Northern Songs without giving us a chance to buy the company, were both hanging around in the background of this song. All the people who had screwed us or were still trying to screw us. It’s fascinating how directly we acknowledged this in the song. We’d cottoned on to them, and they must have cottoned on to the fact that we’d cottoned on. We couldn’t have been more direct about it. ...

Contracts were written on funny paper. Lying behind the song is the idea of the contract as a relationship between two people. The negotiations are at once business negotiations and romantic negotiations; I’m thinking of the lines ‘And in the middle of negotiations / You break down’. The breakdown in negotiations is also a kind of nervous breakdown. The problem was that, by this stage, everything was up for negotiation, and miscommunication was the order of the day. We weren’t really writing together anymore. Each person was bringing in little bits of this and little bits of that. And we all knew that phase of our lives, of being The Beatles, was coming to an end. We were working towards an album, knowing it was probably going to be our final fling. Though Let It Be was released later, Abbey Road was indeed the last album we recorded in the studio. There was an upside, however. I’d got married to Linda, and our relationship offered some respite from the dreary infighting and the financial stuff. The lines ‘One sweet dream / Pick up the bags and get in the limousine’ were a reference to how Linda and I were still able to disappear for a weekend in the country. That saved me.

(Paul McCartney about You Never Give Me Your Money (1969), The Lyrics, 2021)

This was just after The Beatles broke up, and I was trying to establish myself as a solo artist with a new repertoire. If it was going to work like the Beatles repertoire had worked, I had to have a hit. One in two songs had to be a hit. So, this was a conscious effort to write a hit, and Phil was very helpful. We knew that if we had a hit, it would cement our relationship and we would keep working together, which we did with the RAM album. It would prove that we were both good – he as a producer and I as a singer songwriter. Releasing my first solo song after the breakup felt like a big moment. Thrilling, though tinged with sadness. It also felt like I had something to prove, and that kind of challenge is always exciting. The song went to number two in the UK singles chart and number five in the US Billboard Hot 100, so it did pretty well. Of course, this was still a time when there was a bit of tension between John and me, and this sometimes filtered into our songwriting. John made fun of this song in one of his own, ‘How Do You Sleep?’The only thing you done was yesterday And since you’ve gone you’re just another day One of his little piss takes.

(Paul McCartney about Another Day (1969/1971), The Lyrics, 2021)

This song was written a year or so after The Beatles breakup, at a time when John was firing missiles at me with his songs, and one or two of them were quite cruel. I don’t know what he hoped to gain, other than punching me in the face. The whole thing really annoyed me. I decided to turn my missiles on him too, but I’m not really that kind of a writer, so it was quite veiled. It was the 1970s equivalent of what we might today call a ‘diss track’. Songs like this, where you’re calling someone out on their behaviour, are quite commonplace now, but back then it was a fairly new ‘genre’. The idea of too many people ‘preaching practices’ was definitely aimed at John telling everyone what they ought to do – telling me, for instance, that I ought to go into business with Allen Klein. I just got fed up with being told what to do, so I wrote this song. ‘You took your lucky break and broke it in two’ was me saying basically, ‘You’ve made this break, so good luck with it.’ But it was pretty mild. I didn’t really come out with any savagery, and it’s actually a fairly upbeat song; it doesn’t really sound that vitriolic. If you didn’t know the story, I don’t know that you’d be able to guess at the anger behind its writing. It was all a bit weird and a bit nasty, and I was basically saying, ‘Let’s be sensible. We had a lot going for us in The Beatles, and what actually split us up is the business stuff, and that’s pretty pathetic really, so let’s try and be peaceful. Let’s maybe give peace a chance.’ The first verse and the chorus have pretty much all the anger I could muster, and when I did the vocal on the second line, ‘Too many reaching for a piece of cake’, I remember singing it as ‘Piss off cake’, which you can hear if you really listen to it. Again, I was getting back at John, but my heart wasn’t really in it. This is me saying, ‘Too many people are sharing the party line. Too many people are grabbing for a slice of the cake, a piece of the pie.’ The ‘sleep in late’ thing – whether that was accurate, whether John and Yoko actually slept in late or not, I’m not sure (although John often was a late riser when I would drive out to Weybridge so that we could write together). They were all references to people thinking that their own truth was the only truth, which was certainly what was coming from John. The thing is, so much of what they held to be truth was crap. War is over? Well no, it isn’t. But I get what you’re saying: war is over if you want it to be. So, if enough people want war to be over, it’ll be over. I’m not sure that’s entirely true, but it’s a great sentiment; it’s a nice thing to think and to say.

I’d been able to accept Yoko in the studio, sitting on a blanket in front of my amp. I’d worked hard to come to terms with that. But then when we broke up and everyone was now flailing around, John turned nasty. I don’t really understand why. Maybe because we grew up in Liverpool, where it was always good to get in the first punch of a fight. The whole story in a nutshell is that we were having a meeting in 1969, and John showed up and said he’d met this guy Allen Klein, who had promised Yoko an exhibition in Syracuse, and then matter-of-factly John told us he was leaving the band. That’s basically how it happened. It was three to one because the other two went with John, so it was looking like Allen Klein was going to own our entire Beatles empire. I was not too keen on that idea. John actually had Allen Klein and Yoko in the room, suggesting lyrics during writing sessions. In his song ‘How Do You Sleep?’ the line ‘The only thing you done was yesterday’ was apparently Allen Klein’s suggestion, and John said, ‘Hey, great. Put that in.’ I can see the laughs they had doing it, and I had to work very hard not to take it too seriously, but at the back of my mind I was thinking, ‘Wait a minute, All I ever did was “Yesterday”? I suppose that’s a funny pun, but all I ever did was “Yesterday”, “Let It Be”, “The Long and Winding Road”, “Eleanor Rigby”, “Lady Madonna”, . . . – fuck you, John.’ I had to fight them for my bit of The Beatles and, in fact, for their bit of The Beatles, which many years later they realised and almost thanked me for. Nowadays people get it, but at the time I think the others felt they were the ones who were victims, who were being hurt by my actions. Allen Klein already had a history with The Rolling Stones. I just thought, ‘Oy oy oy, no, this guy’s got such a bad reputation.’ And good old John says, ‘Oh, if he’s that badly talked about, he can’t be all bad.’ John had this kind of distorted thinking, which was amusing sometimes. But not when someone was going to take everything that John and George and Ringo and I owned and had worked really hard to get.

So, I stood up as the sensible one and said, ‘This is not good.’ Klein wanted twenty per cent, and I said, ‘Tell him he can have ten, if you have to go with him.’ ‘Oh no, no, no,’ they came back. ‘No, he wants twenty.’ It seemed to me they were just fucking out of it and making no attempt to do anything sensible. A lot of hurt went down during that period in the early 1970s – them feeling hurt, me feeling hurt – but John being John, he was the one who would write a hurtful song. That was his bag.

(Paul McCartney about Too Many People (1971), The Lyrics, 2021)

Towards the end of 1969, John had quite gleefully told us it was over. There were a few of us in the Apple boardroom at the time. I think George was away visiting family, but Ringo and I were at the meeting, and John was saying no to every suggestion. I thought we should go back to playing smaller gigs again, but the answer came back: ‘No’. Eventually John said, ‘Oh, I’ve been wanting to tell you this, but I’m leaving The Beatles.’ We were all shocked. Relations had been strained, but we sat there saying, ‘What? Why? Why? Why?’ It was like a divorce, and he had just had a divorce from Cynthia the year before. I can remember him saying, ‘Oh, this is quite exciting.’ That was very John, and I had admired this kind of contrarian behaviour about him since we were kids, when I first met him.

He really was a bit loony, in the nicest possible way. But whilst all of us could see what he meant, it was not quite so exciting for those left on the other side.

(Paul McCartney about Dear Friend (1971), The Lyrics, 2021)

This is one of my favourite songs. It's a ballad with a brass section, but it’s always felt Victorian in style to me. It’s very heartfelt. ‘A love so warm and beautiful / Stands when time itself is falling’. I like that idea, instead of just saying, ‘It will go on forever.’ I got a good feeling writing this song, and listening to it now, I still do. ‘Love, faith and hope are beautiful’. The brass solo is lovely for me because it harks back to the brass bands that were so common when I was a kid; there would often be brass bands in the park or in the streets. My dad played trumpet, as I never fail to mention, and he had his own little band – Jim Mac’s Jazz Band. The first instrument he bought me was a trumpet, and he taught me the scale of C which, when you go on the piano, becomes B-flat. It’s all very complicated. That’s why we didn’t even bother learning music. I realised that I wanted to swap the trumpet for a guitar, so I asked his permission, and he said, ‘Yes, okay.’ ‘Warm and Beautiful’ was written well after the demise of The Beatles, and at this time we knew sadness. I knew about delving into your mind to look for help and looking for some sort of solace in a song. I liked the idea of writing a song in a universal way that dispels the sadness. You write about the wonderful things you know in the world, and you try to write so that it will sing well and be well received by people dealing with grief something that inevitably surrounds all of us at one time or another. On a more personal level, the main inspiration for the song was Linda…

(Paul McCartney about Warm and Beautiful (1976), The Lyrics, 2021)

After The Beatles thing became so depressing, Linda and I decided we’d get out of London and start living full-time on our small holding in Scotland. It was quite a difficult period because of the band’s breakup but it allowed me to see another side of myself. First and foremost, we did everything for ourselves, and at this point it was Linda, Heather, Mary – who was still a baby – and me. If we needed something to eat, we’d go into town in the little Land Rover, come back up, and cook it. We didn’t have anyone helping us, except for one guy, the shepherd, because it was a little sheep farm. It was an experience that allowed me to be a man. <…> I’d grown up in Liverpool and gone on the road with The Beatles around the world and then around again, and now here I was on a farm in the middle of nowhere, and it was sensational. <…> This was the kind of thing I’d never done, ever, in my life, and it was amazingly liberating. I got to do all the things I think a lot of young people still dream about today – the famous ‘gap year’. I sense a lot of people want that freedom, escaping the rat race…

(Paul McCartney about When Winter Comes (1992), The Lyrics, 2021)

After the breakup of The Beatles, I wouldoften just sit around a lot. Sometimes I sat in the kitchen while the kids were playing. Maybe they were drawing. Maybe they were doing bits and pieces of homework. In this case, I came across the chords and I just felt optimistic, and I liked the idea of a song saying that help is coming and there’s a bright light on the horizon. I’ve got absolutely no evidence for this, but I like to believe it. It helps to lift my spirits, to move me forward, and hopefully it might help other people move forward too.

(Paul McCartney about Great Day (1972/1997), The Lyrics, 2021)

Wings, which we began in 1971, was in many ways an experiment to see whether there was life after The Beatles, to see whether that success could be followed. It was the result of asking myself, ‘Am I going to stop now?’ The Beatles were so wonderful and all-encompassing, so successful. Now, should I stop and look for something else to do? But I thought, ‘No. I like music too much, so whatever the something else is, it will be music.’ <…> But it wouldn’t be The Wings, like The Beatles. Just Wings. My problem after The Beatles was, who’s going to be as good as them? I thought, ‘We can’t be as good as The Beatles, but we can be something else.’ I knew that if I were to go ahead with this project I’d have to tough it out, but I had reserves of courage from being part of The Beatles when pennies were thrown at us at the village hall in Stroud, when we were still starting out. <…> Starting off a new band is always a lot of fun, but it’s a lot of hard work too; you have to establish yourself. Following The Beatles was one of the most difficult things for me, just trying to live up to those expectations. It was even more difficult for her [Linda]. I started to write songs for Wings from 1971 onwards, when we got started, and I tried to keep them away from The Beatles’ style. There were avenues I could go down that I wouldn’t have gone down with The Beatles, like bringing in the influence of reggae, which Linda and I got into in Jamaica. I fancied doing something crazy, and Wings allowed me a little bit more freedom. So, this is a love song in which Cupid’s arrow is referenced, but it’s a malevolent arrow. It’s possible I’d seen an illustration of Cupid and thought, ‘Cupid fires a bow, but I’ll switch it. It won’t be love; it will be the opposite.’ The character in the song has been wounded. He’s been cheated on. And it could’ve been a great relationship, could’ve been fantastic. As things stand, you couldn’t ‘have found a more down hero’, because there was nobody more down than me at that moment. So, get it together and bring your love. I have always had a soft spot for this song. There’s a nice horn riff in it, and it’s funky. Sometimes you write to get a sort of feeling rather than a perfectly ‘correct’ lyric. Sometimes the lyric can be secondary to the feeling. This one has as much, or more, to do with the feel of the song, the groove.

(Paul McCartney about Arrow Through Me (1979), The Lyrics, 2021)

John described ‘Coming Up’ somewhere as ‘a good piece of work’. He’d been lying around not doing much, and it sort of shocked him out of inertia. So it was nice to hear that it had struck a chord with him. At first, after the breakup of The Beatles, we had no contact, but there were various things we needed to talk about. Our relationship was a bit fraught sometimes because we were discussing business, and we would sometimes insult each other on the phone. But gradually we got past that, and if I was in New York I would ring up and say, ‘Do you fancy a cup of tea?’

(Paul McCartney about Coming Up (1979), The Lyrics, 2021)

It’s very possible that I’d been feeling down in London. I was back in the solace of family and Liverpool, and what with the Beatles troubles down south, I was likely thinking, ‘Wouldn’t it be nice to get home and have that comfortable feeling again?’ So, there may have been some of that in the background. I wouldn’t rule it out. When I wrote the song, I hadn’t been back home to Liverpool for a long time. But now I was at my dad’s house, which wasn’t quite home because it was a house I’d bought him when I got some money – a five-bedroomed mock Tudor place in Heswall near the River Dee. But it was still Liverpool, and it was ‘homeward’. So I added, ‘Once there was a way to get back homeward / Once there was a way to get back home’. The song turned out to be quite soulful, and I think that’s what attracted me to those lyrics in the first place – that notion of consoling a baby or reading kids a bedtime story. ‘Sleep, pretty darling, do not cry / And I will sing a lullaby’. Those are lines – or something with a similar sentiment – that most parents probably say to their children to soothe them when they’re growing up.

(Paul McCartney about Golden Slumbers (1969), The Lyrics, 2021)

It became a refuge of sorts, and it was nice to get away from London and everything – both the good and bad – that comes with the city. I would drive a Massey Ferguson 315 tractor and mow the hay, and I loved that because I’d been a nature fiend as a kid, and this freedom just gave me time to think – ‘Down to Junior's Farm where I want to lay low’. It was such a relief to get out of those business meetings with people in suits, who were so serious all the time, and to go off to Scotland and be able just to sit around in a T-shirt and corduroys. I was very much in that mindset when I wrote this song. The basic message is, let’s get out of here. You might say it’s my post-Beatles getting-out-of-town song.

(Paul McCartney about Junior's Farm (1974), The Lyrics, 2021)

The context in which the song was written was one of stress. It was a difficult time because we were heading towards the breakup of The Beatles. It was a period of change partly because John and Yoko had got together, and that had an effect on the dynamics of the group. Yoko was literally in the middle of the recording session, and that was challenging. But it was also something we had to deal with. Unless there was a really serious problem – unless one of us said, ‘I can’t sing with her there’ – we just had to let it be. We weren’t very confrontational, so we just bottled it up and got on with it. We were northern lads, and that was part of our culture. Grin and bear it. One interesting thing about ‘Let It Be’ that I was reminded of only recently is that, while I was studying English literature at the Liverpool Institute High School for Boys with my favourite teacher, Alan Durband, I read Hamlet. In those days you had to learn speeches by heart because you had to be able to carry them into the exam and quote them. There are a couple of lines from late in the play: O, I could tell you But let it be. – Horatio, I am dead I suspect those lines had subconsciously planted themselves in my memory. When I was writing ‘Let It Be’, I’d been doing too much of everything, was run ragged, and this was all taking its toll. The band, me we were all going through times of trouble, as the song goes, and there didn’t seem to be any way out of the mess. <…> Around the time we recorded ‘Let It Be’, I’d been pushing the band to go back out and play some club dates – to get back to basics and just bond again as a band, end the decade like we’d begun it, just playing for the love of it. We didn’t get to do that as The Beatles, but that idea did inform the direction of the Let It Be album. We didn’t want any studio trickery. It was supposed to be an honest, no-overdubbing album. It didn’t exactly end up that way, but that had been the plan.

(Paul McCartney about Let It Be (1969), The Lyrics, 2021)

This song is also an analogy for when something goes wrong out of the blue, as I was beginning to find happening around this time in our business dealings. Recording sessions were always good because no matter what our personal troubles were, no matter what was happening on the business front, the minute we sat down to make a song we were in good shape. Right until the end there was always a great joy in working together in the studio. So there we were, recording a song like ‘Maxwell’s Silver Hammer’ and knowing we would never have the opportunity to perform it. That possibility was over. It had been knocked on the head like one of Maxwell’s victims. Bang bang.

(Paul McCartney about Maxwell's Silver Hammer (1969), The Lyrics, 2021)

In much the way that Linda wanted to flee from New York society– the constrictions of Park Avenue and Scarsdale – I wanted to flee from what The Beatles had become. I was hoping to escape, she was hoping to escape. So we had this feeling that we had each pulled the other ‘out of time’. Though the song was written immediately after The Beatles’ breakup, it was somehow included under the Lennon-McCartney rubric, where it doesn’t belong. It was one of my first solo songs, but because of the deal, it got caught in the publishing net. That was very annoying. <…> …the central idea being that there’s so often a split between the inner and outer. <…> The elements of fear and loneliness are very much to the fore. ‘Maybe I’m afraid of the way I love you’ is itself a troubling idea. While it’s true that Linda is the person I’m addressing, it’s also true that I’m dealing in fiction. Starting with myself, the characters who appear in my songs are imagined. <…> In any event, this song isn’t the conventional way of presenting a relationship, or of some of the contradictions that can arise from being in love. <…> It shows the fragility of love.

(Paul McCartney about Maybe I’m Amazed (1970), The Lyrics, 2021)

John went to the exhibition, and I think that was when he and Yoko met, towards the end of 1966. He climbed up a ladder to see what she’d written on the ceiling, and got close enough to it to read it, and it said, ‘Yes.’ So he thought, ‘That’s a sign; this is it,’ and they fell madly in love. Once they were an item, there was the whole Beatles recording thing, where she would be there too. I think this started at the beginning of the ‘White Album’ sessions – so, around the end of spring in 1968. And at first we all – all of us except John – found it pretty intrusive, but we went along with it and worked around her. And eventually I came to the realisation that, look, if John loves her, we’ve just got to let it be, and we’ve got to support this relationship. That was basically my feeling. Then, a year or two later, The Beatles broke up, and it was a bad period, a real low point, where everyone was taking potshots at everyone. And I felt that John and Yoko were particularly good in the potshot department, saying things in interviews, or comments that would make their way to you. They would say not always very pleasant things, and looking back on it, I sort of think, ‘Why? You’re annoyed, so say something unpleasant?’ Over time, the situation eased off and my relationship with John got better, and I used to see him in New York or speak to him on the phone.

(Paul McCartney about Golden Earth Girl (1993), The Lyrics, 2021)

I’m not sure I thought of it at the time, even though this was well after The Beatles disbanded, but I can’t help connecting the oppressiveness associated with that phrase to the oppressiveness that coincided with the end of The Beatles. Not that The Beatles are over exactly. It’s not like we were some little band that never had another record; even though half of us have died, the phenomenon continues stronger than ever. Everything I do seems to be painted with ‘Beatle’…

(Paul McCartney about Put It There (1988), The Lyrics, 2021)

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[jamiepaige]

Constant Companions Closeup #10: MY DARLING, MY COMPANION

(also on spotify!)

It's the Constant Companions Closeups! A series of in-depth dives into the songs off of my latest album, Constant Companions! Last time, we talked about gender with Object of Affection! Today, we've made it to the title track (kinda?)! My Darling, My Companion! Do you think she's figured out what she wants to hear yet

---

Every time I first embark on the process of making another album, I always think I know what the final product will look like. This is a fairly recent phenomenon, born of the part of me that thinks that planning things out and being somewhat disciplined in the act of creation will ultimately lead to a better final product. That's fair and all, but it's also genuinely never how things actually shake out, as I almost always toss that out the window and just start writing shit the first chance I get.

Constant Companions, however, is the closest I've gotten to actually following through on those initial ambitions. Well, maybe not the initial ambitions - without fail, every time I finish an album, there's a two week period where I start writing new material thinking "this next album's gonna be the MOODY one" and it's never the moody one - but rather the plan I developed once my pile of works-in-progress started looking album-shaped.

There's always been some amount of self-referential leitmotif-loving song-series energy in what I've written - Imaginary, Effervescent and Secret Girlfriend; sampling myself on Too Much Autotune or Second Hello; that little four note motif. I had been leaning even further into it with People Posture Play Pretend and 🤼‍♀️, bringing the little interconnected background radiation straight to the forefront, and I wanted to keep going.

So, I would take that mindset and write about motifs - the things that have stuck with me and gotten me to where I am - the hopes that I've clung to, the dreams I want to make real, the patterns that I keep finding myself in. The things that haunt me and the things that keep me living.

...

My constant companions, if you will.

wait didn't i already do that bit. what was i talking about when i did that

This might be incredibly obvious if you've already read the Closeup for Breeze Blows, but yes, this is another song about being plural.

Like I said previously, writing these self-directed songs portraying internal conversations has been a very big part of finding peace within myself. Having to confront a part of myself both alien and overly familiar with seemingly a mind of her own is, understandably, scary as shit in countless ways! If nothing else, it feels like sometimes I can't even talk about it out loud without sounding completely gone.

But it's made me realize and really think about something I think most people take for granted, something that feels silly to even say out loud given how obvious it is but that has completely changed my relationship with myself - you are always a part of your own life.

The overwhelming, ceaseless negative self-talk I lived with for however many years never went away because it was a part of me, and no amount of compartmentalizing or boxing-up or repression or anything helped even in the slightest compared to the act of showing her kindness and patience, letting her be a genuine part of me, being a friend to her. Doing so revealed to me a happier, more hopeful part of myself I thought I'd lost forever.

Letting yourself be yourself, and loving yourself for who you are, is the best way to be!

or something. that feels so fucking dr seuss of me to say whatever we're corny here we will Be corny

---

The working title of this song was "Hathaway", inspired entirely by my friend Lexie messaging me one morning about a dream in which I had released a song named as such. Naming and writing songs based on dreams is maybe my most beloved bit at this point, but my girlfriend ultimately convinced me to make the title My Darling, My Companion. Mostly because she (correctly) thought it'd be cooler than just a pure title track.

The verses were written by sampling my own previous demo for a title track, turning it into a call-and-response between me and GUMI, and the chorus was lifted almost word-for-word from another demo of mine using Teto. That second demo was partially inspired by the character Morgan from the visual novel Heart of the Woods - which I mostly bring up because it's just a really good yuri VN that is near and dear to my heart. And also because my friend Teffi voices the character Tara in said VN. And also because I recorded my vocals for this song at her house. And also because the voice that says "me when I'm goated as fuck" right before the second verse is in fact Teffi in the recording booth with me. Yuri runs deep in my veins.

Speaking of which, this song, in my mind, is one dedicated to advancing my agenda of GUMI x Teto, albeit subtly and in a roundabout way.

See, GUMI has always been something of an idealized voice in my other work. The songs of mine she sings historically have always been hopeful, upbeat, expressing some sense of comfort - I Wish That I Could Fall maybe being the only exception, and even then still offering some hope in the end.

On the flipside, there's a part in verse two where my voice is swapped out for Teto for a couple lines. I couldn't really tell you what it is, since it's not in terms of timbre or range, but Kasane Teto - her Synth V voicebank especially, but really all iterations of her - is the vocal synth that feels the most like a stand-in for my own voice. And really, writing with her almost seems to bring out parts of myself that are a bit too honest.

These two juxtaposed against each other made perfect sense. It helps that they have The Color Scheme, too.

Finally, this song is basically just one big reference to my song Destiny, from back in 2018, and it even closes out with lyrics based very directly on its closing refrain. I don't have much else to say on that front - but there's another Jamie Paige song this bears some shared DNA with, and a blatant reference to it is hidden in plain sight right as the bridge transitions to the outro.

Do you know what it is?

That's the post! If you have any questions, feel free to send them my way - I'm planning on doing a big AMA style bonus post after the album's finished!!

Speaking of which, tomorrow, we'll be talking about the eleventh and final track on the album - a simple little song about a computer falling in love... :~)

[horror-beeings-artandwriting]

May I have some reverse comfort with twisted Astro?

Ofc! Ima do a one shot cuz u didn’t specify! (^.^)

One of my little headcanons is that Astro doesn’t really know he’s twisted! So that’ll be fun >:3

Title: Divine

Prompt: one shot(comfort)

Character: Astro Novalite

Pronouns: GN reader

Astro could never stop thinking about you. You were the only person who really understood him, his dreams, his songs…

He wasn’t able to make it to the elevator he hoped you made it, I mean he hid! So he’s perfectly fine…

He wandered around each floor, seeing if he could find you, the others were on the floors too…they seemed a tad bit off, but after everything, who wouldn’t be!

As Astro hummed to himself he heard the sound of an elevator opening, he went to hide before…hearing you…you were arguing with Vee about something, screaming at her…

Oh she must have gotten on your nerves again, well…he’ll calm you down! But gosh he doesn’t wanna deal with everyone else…

Hm…he decided to wait till you were on your own, I mean he normally did so it wouldn’t freak you out, right!

As he walked around, pebble had been barking, silly pup…

He heard a loud buzzer sound, then the sound of you cussing…

He quickly ran over! And ran up to you!

“My love! You’re okay! Thank goodness I thought I wouldn’t see you again!” Astro shocked himself, he never thought he could get so loud…

He reached out to hug you but…you took a step back…now they he took a closer look, you were definitely shorter…and scared looking…must have been the twisted…

“Hay don’t worry they can’t find us back here…” Astro coos softly, wrapping his arms around you, your breath hitches…but you aren’t hurt.

“Why…didn’t you hurt me..?” Astro looks shocked at the question. Why would he ever hurt you?!

“I’d never hurt you my love!” Astro sighs nuzzling into your shoulder, you slowly wrap your arms around him, and he lets out a content noise…

“Astro…what happened to you?” You asked, concern lacing your voice…he was still him…yeah he got a bit taller and, he lost his blanket…but he’d never hurt you!

“Nothing to worry about, I just had to run and hide…I’m okay…” Astro says softly. Muffled by your hair.

Astro couldn’t be more happy, he was just with you, you had calmed down…

Suddenly, he hears the elevator open. His grip tightens…

“Please don’t go….” He murmured…you lean back into his chest. Not moving other than that…he smiles…

Oh…this is just…divine.

Kinda a sad ending if you think about it to hard, I love Astro sm. He’s so cute! But yeah! Hope you enjoy!

[mohammedatallaah]

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@punkeropercyjackson @patchoulite @stonedust4 @ofishally @redmystery314

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@eptck @killer-wizard @sapphicdragons-1 @rainy-clawz @afunlessland @juchily

@classyeyeballs @yiyongs @sentienceoverload-29 @kareena-sobha

@manic-pixie-dream-cock @jinnazah @1ikeavirgil @darlingbookworm @wetccarpet

@griefgrl @chthonianalacrity @glutenfreeviolence

@samurotting@genderlesscrows @erikaogrady @quesofromagecheese @spookygayferret

@cloudy-osc @thatonedemon @ethanscrocs @hellswolfie @hungee-boy

@thenamelessdepths @courtly-kenzie @funnypickle3 @ittotloml

@wompwompwoooooomp @sapphirepetal @ashytheslashy @magnuficentwo

@celestialserenity24 @thatgothicgirl @geodetojoy @feelo-fick @herondale-infj

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@xxhalfempty @ransiquack @rowletlittenpopplioteam @the-coley-zone

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@furrysinthematrix @frograaa @doe-in-the-woods @mattsinclairvo

@snufkin1970 @bi-worm @sillymarillly @luckycloverforducks @sithlordpadawan

@kippahkaplan @bonecodoposto-45 @tinkerscrickets @starshinesparkle

@9sy@zozoko21@atomic-two-sheds

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@awetistic-things @camgirlpanopticon @baby-girl-aaron-dessner @nabulsi @sygol

@junglejim4322 @heritageposts @chososhairbuns @palistani

@dlxxv-vetted-donations @illuminated-runas @dlxxv-vetted-donations

Gaza is suffering: an ongoing humanitarian tragedy💔🇵🇸

Gaza lives under a suffocating blockade, is subjected to repeated bombardment, and its people suffer from severe shortages of food, medicine, water, and electricity. Children and women are the most affected. This humanitarian catastrophe is the result of the ongoing conflict and the blockade imposed on the Strip.

What is required: Lift the blockade, allow in aid, and find a just and lasting political solution.

Let's help Gaza by donating, raising awareness, and demanding an end to the suffering.🙏🍉

[aztarion]

Six (lying) Song Soundtrack - Soledad (ssssss)

Rules: If you're tagged, make a new post with links to music and/or lyrics describing the following...

An event that defines your character’s past: Rotten Apple - Alice in Chains

Innocence is over Ignorance is spoken Confidence is broken Sustenance is stolen Arrogance is potent I repent tomorrow I suspend my sorrow A romance is fallen Recommend you borrow What I see is unreal I've written my own part Eat of the apple, so young I'm crawling back to start

How your character sees themselves: Dissolved Girl - Massive Attack & Spill The Milk - Eartheater

Say, say my name I need a little love to ease the pain Need a little love to ease the pain It's easy to remember, when it came 'Cause it feels like I've been, I've been here before You are not my savior, but I still don't go Feels like something that I've done before ... Edging on a cup This cup runneth over I can't even drink enough water To keep up with my physical response No promises You don't have to budget your affection Nothing sticks to something this wet

How others view them: Mascara - Deftones & Mary Magdalene - FKA Twigs

Cause there's still blood In your hair Got the bruise Of the year But it's something about her Long shady eyes I'm all about her Shade tonight I hate your tattoos You have weak wrists But I'll keep you ... Creature of desire Come just a little bit closer to me Step just a little bit closer to me I can lift you higher

Their closest relationship (platonic or romantic): Dusk - Chelsea Wolfe

Watch this empire as it burns and dissipates Haunted, on fire, on the wings that we create Angels (angels), vampires (vampires) One breathes life unto the other Branded (branded), baptized (baptized) By your love and by your hunger And I would give you my life One sin leads to another And I would go through fire to get to you

A major fight scene: Leathers - Deftones

Extend your tongue, speak out, go on Shedding your skin, showing your texture Time to let everything Inside show You're cutting all ties, now and forever time to let Everything outside you Shed your casing and show your lines and shapes Wear your insides on the outside Show your enemy what you look like What you look like What you look like from the inside From the inside

End Credits: When Is The Future - VNV Nation

It's a beautiful dream It's a beautiful life It's just a reflection A world I must survive We're children of the past Who look beyond today Designing the present So when is the future We live in a dream Keeping visions alive It's just a reflection A world that never dies The image we create Now image we designed It's a beautiful life So when is the future

in summary:

tagged by @informaltorching and @mortifying-macaroni my beloveds <333 thank you

trying so hard to think who would enjoy doing this arrghghghg tagging @auspex @eurodyning @silkenred @baelavelaryon

@gauntlings @vanmarkham @devilbrakers @ruvviks but literally no pressure and if you wanna do this and havent been tagged just tag me FOR REAL^^

gorgeous dividers by the gift that keeps on giving @diableriedoll ♥️

[hailtothepumpkinqueen]

Headcanons for the Shane Stardew Valley that lives in my Switch because I wanted to put them down somewhere lol 💙🐔

•He's 35 years old. When Farmer tells him that's not old he replies "Old for a gridball player" and shrugs. (basing this on mid-30's apparently being old for a lot of sports lol)

•Definitely not as "weak" as he thinks he is either. The man helps Marnie around the farm, including hucking around heavy bags of animal feed and hay. And probably hauling heavy boxes around JojaMart. So great upper body strength, just gets tired and out of breath more easily than he used to.

•Strong arms and soft tummy 👍

•5'7" but wishes he was at least 6'1". A little insecure about it, especially since Farmer is taller than him.(she's 5'10")

•Favorite color is blue 💙

•His last name is Cooper. (Purely because I find it funny for him to have "coop" in his name. Like chicken coop lmao)

•Ears are pierced. I imagine 10mm gauges and two other piercings. Doesn't wear them super often, but enough so the holes don't close up.

•I think he'd be a Taurus. Stubborn but also down to earth.

•Started showing signs of depression as a teenager, but got dismissed as being "moody" and "lazy".

•Both parents had issues with alcohol and were distant/absent. His dad physically distant, as he was gone a lot and often came home drunk. His mom emotionally distant due to untreated depression.

•Leaving Shane to care for himself a majority of the time. So lots of microwaved pizza rolls and frozen dinners.

•Started drinking before the legal age because there was always alcohol in the house.

•Has not spoken to either parent since he moved out.

•Gridball was initially a good distraction for all the shit going on in his life and a way to get out of the house. Discovered he had a genuine love for the game and was really good at it. Good enough to play for the varsity team in college.

•Definitely a bit of a hot shot in college. Pretty popular for his goofy and easygoing personality and had a lot of friends(including Jas's parents). A few flings and serious relationships too.

•Ended up tearing his ACL, which put an end to his dream of going pro with his gridball career.

•Which exacerbated his depression and worsened his dependency on alcohol as a coping mechanism...which lead to a pretty bad breakup with his partner at the time. (This literally came to me in a dream lol)

•Light sleeper, particularly sensitive to noise. On top of having trouble sleeping a lot of nights because his brain won't shut off. Hence why he'll have a beer or two before bed, it helps him sleep.

•When that doesn't work he goes on walks. Nighttime is a preferable time to walk anyway because less chance to run into someone and have to make annoying small talk.

•Has dark circles under his eyes pretty much all the time due to lack of good sleep.

•Runs hot, basically a walking space heater. Which is great in the winter but MISERABLE in the summer.

•Was the best man at Jas's parents' wedding.

•And one of the first people to hold Jas after she was born. He was afraid he'd drop her or something and in awe of how tiny she was.

•Loves that little girl SO much, but when her parents died...he was in no position to be taking care of her. Not with his worsening depression and even worse alcohol dependency. So he signed over custody of her to Marnie, who was more of a mother figure to him than his own mom ever was(In my head, Marnie is Shane's mom's older sister).

•Used to spend summers on Marnie's farm as a kid. It was a nice break from his home life and gave him things to do.

•Was living with Marnie and Jas for about 6 months when Farmer moved to Pelican Town.

•It was his idea to pay rent, because he'd rather eat his shoe than feel like more of a burden than he already does.

•Listens to predominantly rock, but secretly knows the words to a lot of pop songs thanks to Jas.

•Lets Jas paint his nails or put makeup on him. Will wear the nail polish until it flakes off, no matter the color or glitter content.

•Has an armband tattoo of fairy roses around his bicep. For Jas, obviously.

•Definitely friends with Emily (they swap bird facts and just vibe) and and considers Sam a work friend(absolutely talk shit about Morris when not talking about music). He just seems to attract bright, friendly people lol

•Not a people pleaser by any stretch of the imagination (there's a reason he stocks shelves instead of being behind the counter at JojaMart), but loves making the people he cares about happy.

•Him being standoffish and prickly is definitely a defense mechanism. Can't get hurt again by losing someone if you never get close to them in the first place, right?

•Can tell when it's gonna rain because his bad knee starts hurting. When Emily teasingly calls him clairvoyant, he goes into a spiel about the scientific evidence that the drop in barometric pressure affects joints and it's not magic. It's basically an inside joke between them.

•Swears like a sailor but tries to censor himself around the children. So "sugar" and "fudge" and "son of a biscuit". Lot of food words lol

•Walks quietly. Accidentally scares people all the time because he just "appears out of nowhere".

[starshideurfics]

Thirsty Thursday - when my time comes around

steddie, omegaverse, heat/rut, implied mpreg, mdni 🔞

Eddie wakes with a moan on his lips. A moan that almost sounds like a name, a whining groan of, “Hmm-eeeve.”

His body is sticky with sweat, his nose full of honey-sweetness and rich, ripe cherries, and there’s a weight on him. A warmth over and around him. A grip on him that invites his hips to move. To thrust. To fuck.

To mate.

Nostrils flaring, he opens his eyes. Blinks to focus and rumbles in his chest, possessive and needy, as his Stevie rolls his hips from his place on Eddie’s cock. “Morning, Puppy,” Steve murmurs, smiling as he leans forward, hands on Eddie’s chest. Plies his lips with uncoordinated, open-mouthed kisses that Eddie groans into, so sweet his teeth ache with the need to bite.

“M’dreaming?” Eddie mumbles, still waking, pushing through the haze of need. Of arousal. Through the overwhelming presence of his omega here, in the nest they built together.

“Not dreaming, Puppy. I’ve got you.” Steve keeps rolling his hips, riding Eddie, his pussy wet and burning hot. Burning with the fever of his heat, fed by the rut-fueled flames coming off Eddie’s body. Branding him with rough hands on his hips. Digging marks into his flesh, marks that will fade in seconds after he lets go, a mere echo of the marks on Steve’s neck.

“Baby,” Eddie begs, turning his head, lips seeking the soft column of Steve’s throat. “Need you.”

“You have me,” Steve pants, hips moving faster, taking what he needs in turn.

Eddie has to give his baby what he needs, holds Steve’s hips and thrusts up faster and faster until he’s just grinding up, his knot filling, tying them together. Steve’s little cock jerks and spurts between their bellies as he clenches around Eddie, milks him through his prolonged orgasm.

Steve collapses on top of Eddie’s chest, purring and snuffling at his neck, hand petting at his side. “Love you,” he whispers. “My alpha.”

“My Stevie,” Eddie returns, loosening his grip and trailing his fingers up and down Steve’s back. Sweat cools on his skin, now between peaks in his heat, still smelling so hot and sweet. Eddie’s hips jerk as his cock gives a feeble final spurt, and Steve hums contentedly, nips at his collarbone.

Eddie growls and rolls them over, gazing down at his omega; Steve gazes back with heavy-lidded eyes and a lazy grin. He lifts a hand to settle low over his belly, over the place where their hopes live. No pup waits there yet, but after this heat… Eddie’s hand joins Steve’s and he leans down to kiss him sweet and slow. “It’ll take, baby,” Eddie whispers as they part.

“Eddie…” Steve is scared to get his hopes up, has said it often enough, but he just reaches up to stroke Eddie’s cheek, to pull him back in for another kiss.

“You know I’ve got you, Stevie. I’ll always have you.” Eddie kisses each of Steve’s cheeks in turn, pecks a kiss to his nose. “I won’t leave you empty, baby.”

[hrrtshape]

THINGS THAT REMIND ME OF MY DRS.

GENDERAL DR REMINDERS. 

✶  ANGEL NUMBERS. 

⋆  111. MANIFESTATION—reminds me of the endless possibilities in my drs.

⋆  222. BALANCE—hints at how perfectly my dr’s align with my dreams.

⋆  777. DIVINE TIMING—i’m exactly where i’m meant to be.

✶  FEATHERS &&& BUTTERFLIES. 

⋆  a symbol of transformation, reminding me of my evolving realities.

✶  SUNSET COLOURS. 

⋆  especially those fiery pinks and oranges—reminds me of my fame dr’s glamour or my french princess dr’s romantic allure.

FAME DR REMINDERS. 

✶  GOLD JEWELLERY &&& SPARKLES.

⋆  any glimpse of luxe accessories screams my parisian energy. and i loooove it.

✶  DIOR, MIU MIU &&& HERMES ADS. 

⋆  a little nod to my ambassador-ships and magazine covers.

✶  SONGS BY LANA DEL REY.

⋆  most, if not all lana songs are my own in my fame dr !!! so, it’s very fun imagining my voice with those songs. 

1950’s FAME DR REMINDERS.

✶  BLACK ’n’ WHITE MOVIES.

⋆  a vintage film playing somewhere could feel like a secret message just for me. bonus point if it’s a picture with a rita hayworth role.

✶  RED LIPSTICK. 

⋆  that timeless glam that ties me to my golden-era fame.

COWBOY DR REMINDERS. 

✶  BOOTS OR 19TH CENTURY CLOTHES.

⋆  seeing my two pair of cowboy boots in my closet hanging around or some antique looking blouse feels like the universe nodding at my rugged, wild dr. also also also bonus points cowboy hats. 

SPY DR REMINDERS.

✶  BLACK CARS OR TRENCH COATS.

⋆  passing by someone dressed mysteriously gives me that secret-agent thrill.

✶  HIDDEN PASSAGES &&& LOCKS. 

⋆  a subtle subtle suuuubtle reminder of my covert skills and thrilling adventures.

18TH CENTURY FRENCH DR REMINDERS.

✶  ROCOCO DESIGNS OR PASTELS. 

⋆  anything ornate, soft, or floral will transport me right back to versailles.

✶  CLASSICAL MUSIC PLAYING.

⋆  a harpsichord melody feels like a whisper from my petit trianon daydreams.

✶  DEERS.

⋆  literally me tm and i won’t say anything more.

✶  OVER-THE-TOP DESSERTS.

⋆  do i even have to explain? i see a macaron and i’m, like, “OH! wonder how they’re cooking that one up in my princess dr….do they have mixers? i’ll have to visit the kitchens sometime.”

VAMPIRE DR REMINDERS.

✶  BLOOD RED ACCENTS. 

⋆  be it nail polish, wine, or a deep red sunset—so vampy. so me. 

✶  MOONLIGHT.

⋆  the ethereal glow reminds me of those immortal evenings.

✶  ANYTHING WITCHY. (and i mean) ANYTHING.

⋆  in my dr, i’m also a bit of a witch…….seeing crystals, grimoires or skulls gets me going.

✶  ANYTHING HISTORICAL, really.

⋆  and since this dr also…….maybe serves as a time traveling dr (because yours truly adores adores adores history), i do get a kick whenever i see anything with history. dresses, artefacts, antiques. 

SATC DR REMINDERS.

✶  DESIGNER HANDBAGS. 

⋆  a birkin or miu miu bag sighting is a shoutout to my carrie-esque life.

✶ ESPRESSO CUPS.

⋆  perfectly ties in with parisian but nyc café vibes.

✶  VOGUE MAGAZINES.

⋆  since since since i’m a columnist for vogue magazine who writes about, well, “sex and the city.” YES I STOLE CARRIE’s CAREER, it’s very fun to imagine seeing my own column on those pages. 

✶  SHOES. 

⋆  if you get it, you get it. if you don’t, you don’t. bonus point for manolo blahnik 

MARVEL COMICS DR REMINDERS. 

✶  COMIC BOOKS OR POSTERS. 

⋆  any reference to superheroes reminds me of my place among legends.

AUTHOR DR REMINDERS. 

✶  CLASSIC BOOKS ON DISPLAY.

⋆  seeing anna karenina or the bell jar in a bookstore feels like destiny.

✶  TYPEWRITERS OR VINTAGE JOURNALS. 

⋆  these make me feel like i’m penning the next great novel in my dr.

✶   ANY MENTION OF THE BOOKS I “WROTE.” 

⋆  in my dr, i’ve actually written a few of…uh, femcel novels. so, when i hear titles such as the secret history or the bell jar flying around, i do get a little giddy.   

F1 DR REMINDERS.

✶   LUXURY CARS OR RACING SOUNDS.

⋆  that distinct sound hits my adrenaline-loving dr like nothing else.

✶   FLAGS (ESPECIALLY CHECKERED ONES). 

⋆  a cute little “hey, go shift, hoe” to my drs high-speed glamour.

[stuckinmymind22]

sanji is a pop girlie, there is no doubt about it. he is in love with sabrina carpenter, you can argue with the wall. although he mainly listens to artists he simps for there's probably also a chunk of music that zeff and the others from baratie would play.

lmk if you have any suggestions/different takes, i would love to hear them

good graces sabrina carpenter - he's taking notes 📝

why won't you love me 5sos - cries to this one

cooking by the book lazy town - specifically this version (suggested by @caoticdragonv19)

(i can't get no) satisfaction the rolling stones - this was a song he heard in the kitchen while doing dishes at baratie

every little thing she does is magic the police - same as above but also relates it to women ofc

love story taylor swift - this is his dream, would stare out the car window fantasizing about the song

please please please sabrina carpenter - ready to k!ll the guy its about, swears he would never embarrass her (he would)

the one that got away katy perry - i feel like this is self explanatory

steal my girl one direction - doesn't normally listen to boybands, much less men, but this one he understands